DAY 3
AFTER ALL, 17:00
How much do we care about those left behind? This program block brings stories from the margins – those abandoned and alone – In an effort to make them visible to someone, at least.
A solar eclipse, as a dark omen, illuminates the lives of invisible people through the excessive deforestation of a small impoverished jungle village in Argentina, in the mystical fiction film Our Shadows (Argentina, Germany, dir. Agustina Sánchez Gavier). The documentary Run, Monnie, Run (Poland, dir. Karolina Biesiacka) tells the story of a young athlete with fetal alcohol syndrome whose running career has hit a dead end: despite her will, strength, and determination, the modest socioeconomic circumstances she lives in are too far removed from her goals. In the fiction film Til Tomorrow (Slovakia, dir. Hannah Dale), two brothers are left to quietly rescue their mother, who struggles with addiction – so the neighbors won’t hear. In the animated film Supreme Domain (Belgium, dir. Hasan Pastaci), our essence is as complex as a pomegranate fruit. Like a lonely but warm light in the darkness of a borderland, the protagonist of the documentary Dry Goods (Croatia, dir. Toni Jelenić) does her best to care for migrants who cross the nearby border illegally.
Dry clothes
- Producer: Academy of Dramatic Art Zagreb
- Distribution: Academy of Dramatic Art Zagreb
Our Own Shadow
- Producer: Academy of Media Arts Cologne, Valerie-Malin Schmid
- Distribution: Lights On
Run, Monnie, Run
- Producer: Munk Studio – Polish Filmmakers Association: Jerzy Kapuściński, Ewa Jastrzębska
- Distribution: Munk Studio – Polish Filmmakers Association: Jerzy Kapuściński, Ewa Jastrzębska
Till Tomorrow
- Producer: Academy of Performing Arts - Film & TV Faculty, Bratislava
- Distribution: Academy of Performing Arts - Film & TV Faculty, Bratislava
Sphere Supreme
- Producer: School of Arts, KASK, Gent, Belgium
- Distribution: School of Arts, KASK, Gent, Belgium
BOLD BATTLES, 18:35
Battles can be silent, internal, and almost inaudible, or they can be open, public, and painfully recognizable. This collection of stories highlights battles that reveal issues often overlooked, such as trauma, sexuality, digital violence, and the performativity of identity.
The documentary Yet Another One (Croatia, dir. Karla Jelić) exposes the painful struggle against the abuse of power in the education system through the story of Vida, a directing student who experienced sexual harassment at the Academy of Dramatic Arts in Zagreb. Caught in 4K (fiction, Austria, dir. Adriana Mrnjavac and Nicole Stigler) examines the impact of social media on children by exploring their early encounters with the darker aspects of the digital world. In the animated film Pillow Talks (Belgium, dir. Amandine Vautrin), intimate conversations about sexuality and romantic relationships uncover layers of past experiences. Project Nika (documentary, Croatia, dir. Tadija Tadić) takes you into the world of a young influencer, where the lines between private and public life continuously blur.
Yet Another One
- Producer: Academy of Dramatic Art Zagreb, Natalie Dech
- Distribution: Natalie Dech
Caught in 4K
- Producer: Filmakademie Wien, Elahe Aman
- Distribution: Lights On
Pillow Talks
- Producer: ENSAV La Cambre, Vincent Gilot
- Distribution: ADIFAC - La Cambre
Project Nika
- Producer: Academy of Dramatic Art, Ana Martinović, Aleksandra Giljević
- Distribution: Academy of Dramatic Art, Ana Martinović
TIMELESS TALES, 20:00
Everything changes, except the essence. This program block presents three unique stories that bear witness to the moment we live in, while also reflecting archetypal patterns of behavior that have changed their appearance throughout history – but never their core.
Somewhere far away on the edge of the Bering Sea, the documentary Koka (Poland, dir. Aliaksandr Tsymbaliuk) gently and skillfully warms the viewers’ hearts through the portrayal of the life of a father and son – both fishermen – despite the overwhelming cold of the striking yet harsh landscapes. In the delicately muted French animation Esca (France, dir. Felice Ronzon), two young girls search for a shared shelter from the rain that just won’t stop falling. Through testimonies and footage of task execution, the documentary Their Eyes (France, dir. Nicolas Gourault) immerses the viewer – almost tangibly – into the latest system of labor exploitation of workers from the impoverished Global South: the extremely underpaid job of training artificial intelligence so that autonomous vehicles can, based on the learned images, independently drive wealthy passengers through the streets of wealthy countries.
Koka
- Producer: Munk Studio – Polish Filmmakers Association, Jerzy Kapuściński, Ewa Jastrzębska
- Distribution: Munk Studio – Polish Filmmakers Association, Bartosz Friese
Esca
- Producer: ENSAV La Cambre
- Distribution: Vincent Gilot
Their Eyes
- Producer: Don Quichotte Films: Yannick Beauquis & Quentin Brayer
- Distribution: Square Eyes