DAY 3

AFTER ALL, 17:00

How much do we care about those left behind? This program block brings stories from the margins – those abandoned and alone – In an effort to make them visible to someone, at least.

A solar eclipse, as a dark omen, illuminates the lives of invisible people through the excessive deforestation of a small impoverished jungle village in Argentina, in the mystical fiction film Our Shadows (Argentina, Germany, dir. Agustina Sánchez Gavier). The documentary Run, Monnie, Run (Poland, dir. Karolina Biesiacka) tells the story of a young athlete with fetal alcohol syndrome whose running career has hit a dead end: despite her will, strength, and determination, the modest socioeconomic circumstances she lives in are too far removed from her goals. In the fiction film Til Tomorrow (Slovakia, dir. Hannah Dale), two brothers are left to quietly rescue their mother, who struggles with addiction – so the neighbors won’t hear. In the animated film Supreme Domain (Belgium, dir. Hasan Pastaci), our essence is as complex as a pomegranate fruit. Like a lonely but warm light in the darkness of a borderland, the protagonist of the documentary Dry Goods (Croatia, dir. Toni Jelenić) does her best to care for migrants who cross the nearby border illegally.

Dry clothes

Dry clothes

Toni Jelenić
Documentary film, 9’, Croatia, 2025
While the border divides lives, Nada collects discarded clothes and restores humanity to those everyone else has forgotten.
Our Own Shadow

Our Own Shadow

Agustina Sánchez Gavier
Fiction film, 20’, Argentina, Germany, 2025
The sky occults bad omens. Where nature is despised, people disappear, trees fall and the sun is devoured
Run, Monnie, Run

Run, Monnie, Run

Karolina Biesiacka
Documentary film, 20’, Poland, 2025
Monica runs and trains alone every day. She was born with Fetal Alcohol Syndrome. In her early teens she started running and participating in sport competitions. It become her life purpose. When Monica loses at World Championships, she returns to her hometown and waits for some change in life. The film director forms a close...
Till Tomorrow

Till Tomorrow

Hannah Dale
Fiction film, 17’, Slovakia, 2025
One day in the life of two brothers reveals the harsh contrast between the cold four walls of their home and fleeting moments of peace. On their way from school to home, they have no idea what challenges await them behind closed doors. Amid constant conflict and a broken family, they discover that despite their...
Sphere Supreme

Sphere Supreme

Hasan Pastaci
Animated film, 5’, Belgium, 2025
Follow Arama, guided by a mystical pomegranate tree, meeting a mysterious man. Along the way, Arama faces parts of himself, slowly putting together the puzzle of his identity. But before he is able to put everything together, will he manage to keep himself in one piece?

BOLD BATTLES, 18:35

Battles can be silent, internal, and almost inaudible, or they can be open, public, and painfully recognizable. This collection of stories highlights battles that reveal issues often overlooked, such as trauma, sexuality, digital violence, and the performativity of identity.

The documentary Yet Another One (Croatia, dir. Karla Jelić) exposes the painful struggle against the abuse of power in the education system through the story of Vida, a directing student who experienced sexual harassment at the Academy of Dramatic Arts in Zagreb. Caught in 4K (fiction, Austria, dir. Adriana Mrnjavac and Nicole Stigler) examines the impact of social media on children by exploring their early encounters with the darker aspects of the digital world. In the animated film Pillow Talks (Belgium, dir. Amandine Vautrin), intimate conversations about sexuality and romantic relationships uncover layers of past experiences. Project Nika (documentary, Croatia, dir. Tadija Tadić) takes you into the world of a young influencer, where the lines between private and public life continuously blur.

Yet Another One

Yet Another One

Karla Jelić
Documentary film, 29’, Croatia, 2025
Vida Skerk was supposed to be the future of Croatian cinema until she decided to continue her studies in London due to sexual harassment by a professor at the Academy of Dramatic Art in Zagreb. Through Vida’s story the film shows how the Croatian film community treats victims of sexual violence.
Caught in 4K

Caught in 4K

Adriana Mrnjavac and Nicole Stigler
Fiction film, 15’, Austria, 2025
CAUGHT IN 4K: Someone is captured in 4K, high definition, caught red-handed on the internet.Eleven-year-old Ava is home alone. She skilfully presents herself online.Takes Selfies. Dances. Puts on make-up. TOM_X12 likes this.
Pillow Talks

Pillow Talks

Amandine Vautrin
Animated film, 7’, Belgium, 2025
A 25‑year‑old woman, living with the trauma of a violent ex, seeks relationships outside traditional rules and finds herself in objectifying, violent dynamics.
Project Nika

Project Nika

Tadija Tadić
Documentary film, 18’, Croatia, 2025
A teenage influencer and her mother‑manager navigate the blurred lines between ambition, identity and control, driven by a desire for fame.

TIMELESS TALES, 20:00

Everything changes, except the essence. This program block presents three unique stories that bear witness to the moment we live in, while also reflecting archetypal patterns of behavior that have changed their appearance throughout history – but never their core.

Somewhere far away on the edge of the Bering Sea, the documentary Koka (Poland, dir. Aliaksandr Tsymbaliuk) gently and skillfully warms the viewers’ hearts through the portrayal of the life of a father and son – both fishermen – despite the overwhelming cold of the striking yet harsh landscapes. In the delicately muted French animation Esca (France, dir. Felice Ronzon), two young girls search for a shared shelter from the rain that just won’t stop falling. Through testimonies and footage of task execution, the documentary Their Eyes (France, dir. Nicolas Gourault) immerses the viewer – almost tangibly – into the latest system of labor exploitation of workers from the impoverished Global South: the extremely underpaid job of training artificial intelligence so that autonomous vehicles can, based on the learned images, independently drive wealthy passengers through the streets of wealthy countries.

Koka

Koka

Aliaksandr Tsymbaliuk
Fiction film, 47’, Poland, 2025
The story centres on an intimate relationship between Koka and his father Stas that live on the edge of Chukotka, the shore of the Bering Sea. The harshness of the local climate and living conditions determines not only the life cycle of its inhabitants, but also dictates its own specific forms of love expression and...
Esca

Esca

Felice Ronzon
Animated film, 7’, Belgium, 2025
On a rainy day, two schoolgirls from opposite boarding schools meet under the gaze of two giant statues and begin to lose track of time.
Their Eyes

Their Eyes

Nicolas Gourault
Documentary film, 20’, France, 2025
How does a machine learn to read the world? Online micro‑workers from the Global South teach AI for self‑driving cars to navigate the Global North.